Homeowners who have worked with contractors or construction crews on renovations may have encountered the term “change order” in the past. It is indeed common in contractor meetings, renovation contracts, and countless home improvement articles that warn of surprise costs and stalled timelines. After all, any change to an existing contract can be stressful and anxiety-provoking. While change orders are common in construction projects, they’re far less common in full-service luxury interior design.
At Laura U Design Collective, formal change orders are not part of the design process. If you’re used to change orders, this might seem like an oversight, but it’s actually a reflection of our process and billing methods, which are designed to be fair and accurate for both the design team and the client. Clients still revise decisions and still refine preferences. Designers respond in kind. The difference lies in how those revisions are handled, documented, and billed. To understand that distinction, it helps to look closely at what a change order actually does in construction and why that mechanism does not translate neatly to hourly design work.
What a Change Order Means in Construction

In a renovation or new build, a change order is a formal written amendment to an existing construction contract. It alters the agreed-upon scope of work, the cost, the timeline, or all three. Though uncommon, a pantry wall might be relocated after framing is complete. Cabinet details might be revised after shop drawings are approved. A flooring material could be swapped once installation is already underway. Each of those decisions requires new documentation that alters the original contract because the initial price was tied to a specific set of drawings, specifications, and material costs.
Contractors rely on change orders to keep projects financially and legally aligned. Labor schedules must be adjusted. Materials may need to be reordered or returned. Trades may have to revisit the site. Without written records, misunderstandings can easily arise about who is responsible for additional costs or delays.
This system makes sense in a fixed-bid environment, where the contractor has committed to deliver a clearly defined scope for a predetermined price. Once construction begins, any deviation is treated as an exception that must be formally acknowledged.

Contrary to Popular Belief, Change Orders Don’t Just “Fix Mistakes”
The American Institute of Architects treats change orders as ordinary contract mechanics rather than a sign that something has gone wrong. In the AIA’s A201–2017 General Conditions, the term appears repeatedly, and the document defines a change order as “a written instrument prepared by the Architect and signed by the Owner, Contractor, and Architect” that records three things: the change in the work, any adjustment to the contract sum, and any adjustment to the contract time. The key idea, as the AIA itself notes, is that a change order is an agreement among all parties that formally amends the contract.
The AIA is also clear that change orders are not primarily about mistakes. Most arise from owner-directed changes, unforeseen site conditions, scheduling issues, or logistical problems like shipping delays. In renovation projects, concealed conditions inside walls or hidden hazardous materials can prompt them. In other words, change orders are a routine tool for keeping a fixed-bid construction contract aligned when real-world conditions or priorities evolve. It’s a normal part of project management in construction.
Why That Model Still Doesn’t Fit Luxury Interior Design

Residential interior design does not progress in the same way as construction. Drawings, elevations, and renderings provide direction, but they are not the final test of a space. Real light, real materials, and real circulation often reveal things that no digital model can fully predict.
Clients frequently refine their preferences as they see options in their own home. This isn’t indecision so much as an unavoidable part of the process. A paint sample that looked warm and gentle in a studio can feel too cool on a north-facing wall. A custom sofa depth that looked ideal on paper might feel slightly shallow once tested in person. Drapery pleats that seemed right in a swatch may need subtle adjustment after the fabric is approved and installed.
Some design decisions are simply calibrated on site; such changes aren’t reflective of poor planning. But the traditional change order framework assumes that revision is an exception to a settled plan. Treating every adjustment as a contractual deviation would mischaracterize both the process and the relationship between client and designer. It would also import a legalistic structure that does not match the iterative, visual, and experiential nature of residential design.
How Hourly Billing Makes Design Change Orders Unnecessary
Laura U Design Collective bills exclusively by the hour. When a client revises a decision, the additional time required to update drawings, consult vendors, adjust specifications, or manage procurement is simply recorded and billed as part of the project. There is no need for a separate change order document to authorize the work or justify it after the fact.
In practice, this makes the idea of a “design change order” largely beside the point. The boundary put in place here is not a revised contract but the time required to complete the task properly. If a change requires more design development, more vendor coordination, or more site visits, that effort is merely reflected in the hours billed. If it does not, the invoice reflects that as well. The system naturally calibrates itself rather than relying on formal amendments to the original agreement.
What matters is not whether an alteration is labeled a “change order” but whether the time spent is accurately recorded and clearly communicated to both the client and the project managers (design and procurement teams).
How LUDC Makes Alterations Without Change Orders

Even in an hourly model, predictability throughout the entire process matters. Clients want to know when revisions are most productive and when they become quite costly, either in financial or time expenditure terms. Laura U Design Collective organizes its work around clear phases for this very reason. During Discovery, Schematic Design, and Design Development, exploration and revision are expected. Ideas are tested, materials are reviewed, and layouts are refined.
As the project schedule moves into Procurement and Implementation, fewer “new” decisions are made because orders, lead times, and coordination are already underway. At this stage, changes require more time and more logistical effort, so conversations about cost and timing become more pointed.
Installation and Reveal complete the project, and of course, there is less room for adjustment at this stage. By then, the home has been fully designed and only minor alterations are typically made (if needed). Our team’s focus shifts to placement, calibration, and final quality control rather than conceptual revision.
Clients can still change their minds late in the process. When that happens, the firm explains the implications of those changes so that everyone is on the same page when it comes to cost and time spent. A change might mean more time in design development, more coordination in procurement, or more adjustments before installation.


Why Interior Design Industry Language Can Still Be Confusing
The design industry does not use terminology consistently. Some firms use “change order” to describe revision fees. Others use it as shorthand for exceeding an agreed number of edits. Some inherited the phrase from construction contracts years ago and never updated their language. That variation can make it sound as though all luxury firms handle revisions the same way, but they don’t.
In an hourly model, the concept of a formal design change order is largely unnecessary. For Laura U Design Collective, avoiding them is less about policy and more about accuracy. A design revision is simply design work. Procurement coordination is procurement work. Those tasks are part of the service, and the billing reflects them directly. Changes to the original contract are not necessary unless the project scope changes substantially.
Different Design Firms Talk About Changes Differently

Terminology can be confusing here because, as noted above, not all firms use the same language or even the same billing methods. Industry publication Business of Home published a roundtable a few years ago in which a number of established designers were asked how they handle change orders. Their responses show how elastic the term has become inside the design industry itself. Some firms use “change order” to describe anything that alters drawings or selections after a certain point in the project. Others attach fees to revisions once a project moves past design development. A few treat change orders almost entirely as a construction-side concept rather than a design one.
Quoted by Haley Chouinard, one designer explains that she builds revision time into her process from the outset, saying, “I like to give a dedicated design development time period for changes and revisions in respect to drawings for custom furniture or millwork, as well as a deadline for when materials and fixtures must be finalized.” Another designer in the same piece frames change orders more as a matter of discipline and timing, noting that her firm maintains “documentation that outlines project schedules with deadlines so that clients understand from the outset of a project when decisions will need to be made.”
Elsewhere in the article, designers describe approaches that sound closer to LUDC’s, even if they still use the term “change order”. One designer tells Chouinard that when clients are billed hourly, they have a better idea of what changes to the original scope, chosen materials, layout, etc. actually cost. This means that they “realize that changing their minds can be quite expensive,” which naturally limits the need for formal change orders. Another designer characterizes revisions as inevitable but makes clear that anything beyond an initial round of edits will be billed at her hourly rate. The word used in these contexts might be the same, but the structure underneath it is not.
Reading those responses together, it’s clear that the meaning of “change order” depends on a firm’s billing model and internal process. In some offices, it is a formal amendment tied to fees and deadlines. In others, it is simply a way of describing additional design work that will later appear on an invoice.
What This Means for Laura U Design Collective Clients

Many clients feel that being billed hourly instead of paying a flat fee that is later amended by change orders is simpler, more straightforward, and easier to track. With our approach, there are regular conversations about hours, budgets, and timing between our design team and our clients. Designers explain when a decision will significantly alter the project’s timeline or budget and why.
By billing hourly, we ensure our clients retain flexibility as they clarify priorities and preferences. Great design that reflects the client’s wishes and the designer’s expertise requires careful adjustment, good judgment, and patience. We feel that an hourly model (not “project cost” + change orders) best aligns with that reality.

